WIP Small Works Art Thread

Some character creation experimenting. I fear my game is going to turn into a waifu simulator soon rofl.

 

This Unity Modular Kit has been created to be the perfect side-kick of our previous modular Retro-Forests package (you take a look to it here: LINK)

It is totally compatible with the rest of our "retro-enviro" packages. All of them share the same modularity, scale and proportions. (You can check all of them here: LINK)

If you want to be aware of all our updates feel free to follow us @ZerinLabs on Twitter

Any comments and feeback will be more than welcome!

 

some screenshots of a fps pack im working on(using URP)



currently finished all 10 weapons,
still working on the environment and enemys

 

The uncharted universe...

 

Working on some asteroids..

 

Working on a snow/wetness discard volume system for our game's world shaders. It will be mainly used for interiors.

Supports up to 8 volumes at once currently but can be extended to more (uses global shader arrays), volumes get enabled/disabled based on distance to camera and visibility (closest 8 will always have priority / contribute to rendering)

 

I made a video for my next Lowpoly Style pack, I'm quite happy how it turned out! Hope you'll like it too.

Oh and by the way, the the collection of all my environments is on sale now! If you're interested, grab it at 50% off
https://assetstore.unity.com/packages/3d/environments/landscapes/lowpoly-style-ultra-pack-108275

 

I'm making a caveman

 

dogzerx2 I've always loved your art!

Figured I'd post this here since its kinda fun:

Its a video going over SOME of the many steps required for my unicorn character which I used in my promo video for my photogrammetry assets (Castle Valley Collection #1) -- Obviously I needed to get it to look as real as I could for that. Wow was he a lot of work!

 

top row work.

 

Slowly fleshing out a new outfit with dual wielding combat. Unfinished but wanted to do a quick test to see how it felt in game.

 

What shaders are you using? I like it.

 

TypeA AnimeShader for the characters.
Grass is Nature Renderer shader
A Post processing profile tweaked to make colors and everything pop.
Then everything else is just standard.

 

Currently working on a small Scene in my Sparetime. Trying to create a small Horror Game out of it... if i were able to Code myself
Two Versions: (Sunset/Night)

 

I'm going to add a bunch of different faces for the enemy bosses in my game. This is the first one, what do you think? I might add some overlay/animation to distort it a bit.

 

Working on a horse!

 

Morning, guys... it's been a while since I've posted anything on these forums and I hope everyone is staying healthy. I've been working on a revision of my character to bring it up to a visual standard fit to use with HDRP. I'm painting an updated skin texture to so it will work with my custom SSS shader I created for the engine.

The images are as follows: Final render, Epidermal, Subdermal, Subsurface Mask (black is no scattering). I've also added a secondary roughness map with some Perlin noise in it to break up the skin even further...

 

Made a new trailer for the game I'm working on: Hijack Overdrive

But I dunno, I feel it's too chaotic in the beginning, and people will just not understand what's going on. (which was a bit intentional for the beginning at least, but I probably should have made that last only a couple of seconds)
What do you think?

I posted it here in my thread as well, but no one apparently watched it:
https://forum.unity.com/threads/hijack-overdrive-a-2-5d-platformer-shootemup-demo-available.896558/

 

Oh no my orc wanna get out

 

Bugs are nice, when giving unexpected results

 

Here is a little taste of my latest pipeline updates. Recently finished this as a prop for one of my character using a custom shader that allows me to have near unlimited details based on a mask... And this was a nice test with HDRP

 

Can you describe what you mean by near unlimited details based on a mask? Also, what's the polycount of those models. They look incredible.

 

In my custom shader, I set up an RGBA mask that allows me to use tiled normal/albedo/roughness/so texture to add an extra level of detail that I can't cleanly tile in Substance Painter. Here is an example:

You might have to zoom in super close in the shot.

And that prop is about 17.5k triangles. I have a lod on it but they are a thing of the past.

 

Some more Unity coolness. Custom subsurface scattering with a cataracts shader for the eyes. This is an older render so the skin has been tweaked since then.

You can also see the detail maps in effect

 

hey guys. Hope everyone is doing well today. Sharing some more progress on my shading pipeline, with an upgraded hair shader... The hair looks convincing and full, especially from a distance

 

Procedural asteroid material in substance designer..

 

Experimenting with procedural nebula in substance designer, trying to get that volumetric look..

 

Gas planet texture made in subst designer with a custom shader ..

 

Put some stuff together in my game:

 

Working on environments for my game ..

 

Realtime lighting:

 

Artistic terrain sculpting in real time with the new PANGAEA Terraform GPU based terrain formation tool.

 

Continuing to push HDRP for my work... updated the skin shader to allow two roughness maps, one broad for base roughness of the skin, and the other a little more focused on the oily areas of the skin (which is packed into a single texture for optimisation). Veering UNCOMFORTABLY close to the Uncanny Valley, especially with the skin scattering and eyes, which I am considering adding SSS to it..

Also improved on the detail mapping in the game... you'll never really notice it, but it will allow the surfaces to look a lot more detailed.

 

Our first steps in Unity building a location based game:

- any feedback is welcome - join our Discord if you want to DM https://discord.gg/Ks3u9DP

 

Working on a small abandoned Scene in HDRP. Still WIP.


Finished work can be found at https://www.artstation.com/sebastianlouven

Any Feedback is welcome

regards Sebastian

 

Sky Master ULTIMATE Volumetric Lighting System Ethereal new Ruins demo and assets WIP

Playing with artistic volumetric lighting of in the URP engine and water reflections of volume effects.

 

Shader that takes a pattern from a texture and turns it into a mosaic made of small pebbles (yes, this has a practical usage).

 

THIS IS BEAUTIFUL AS F**K!!!

 

Hi,

I'd like people to restrict posting to "small works of art" as is the tread title. That means don't post it if you did not make it.

Code does not count. This isn't a general show off anything thread. I have removed posts in the last few days I feel don't match the thread.

Restrict the thread to "small works of ART" - as in you made the models and so on. It doesn't mean sponza with lensflares or asset pimping.

 

Trying to upgrade previous project to URP.
Some screenshots of current progress.

 

Environment I'm working on for my current project

 

Substance Designer is magic ..

 

Another couple of hours of fiddling around in subst designer ..

 

Sky Master ULTIMATE used with the upcoming InfiniGRASS STUDIO (v2.0) for run time planting of foliage, rocks, fences and trees.

 

Hi Folks!
Here you can check the upcoming game called "The Chalk".
How do you like the idea?
Please consider subscribing if you liked the video, thanks! ^__^

 

You've worked for almost 10 years on it? Do you have any video footage of your game? BTW: Your website does not seem to work.

 

Sky Master ULTIMATE URP Volumetric Lighting System Ethereal URP - Atrium scene and water scenes with volumetric lighting in Universal Rendering Pipeline (URP)

Playing with artistic volumetric lighting of in the URP engine and water reflections of volume effects.

 

Neat concept.

But may I make some suggestions for the trailer?

1) Ditch the well lit tunnel in the intro.

2) Use more of the darkness and limited as an element. Instead of flashing 2d words on a black background, have them scribbled on a wall and reveal them by passing a light source by them.

3) Don’t just show the monster. Build to it as the player moves through the maze. Start quiet and build tension. Then have a monster briefly show up on screen. Let the viewer get uneasy. Then do the reveal in game.